The Grammys followed suit, and six nominations led to four awards, including Song Of The Year, once again for “Stay With Me.” Brits glory inevitably followed in February 2015, a few weeks after the album shifted its millionth copy in the UK. Nominated at the 2014 MOBO Awards for Best Album, Smith won that category and added three others that evening. In a welcome sign of the times, Smith’s sexuality didn’t define the project, and the songs’ rallying themes of love and loss crossed genres and generations. The vulnerability that Smith chose to showcase resonated with a public who seized on their confirmation that the record had been in part shaped by a broken heart. A tender ballad, “Stay With Me” became their best-performing international song and was, significantly, the first to be picked up by influential adult contemporary radio stations in the States. While second single, “Money On My Mind,” had been built around a distinctive dance hook, Sam’s fragile machismo was played up to the hilt for the album’s true breakthrough hit. The secret to Smith’s success was not dissimilar to Adele’s: strong songs powered by an incredible voice drenched in the personality of the performer. In The Lonely Hour was the second best-selling British album in 2014 and ended up the third best-selling album in the US after its third single, “Stay With Me,” topped the UK charts and made it all the way to No.2 stateside. IMPORTANT PRE-ANNOUNCEMENT:If any of you have heard the song Reminds Me Of You fully, you would have probably noticed the octave unison in some parts of th.
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